{"id":46,"date":"2023-09-07T16:32:28","date_gmt":"2023-09-07T14:32:28","guid":{"rendered":"https:\/\/alainlonguet.com\/?page_id=46"},"modified":"2026-03-12T13:40:08","modified_gmt":"2026-03-12T12:40:08","slug":"historique","status":"publish","type":"page","link":"https:\/\/alainlonguet.com\/index.php\/historique\/","title":{"rendered":"Historique"},"content":{"rendered":"<style>.wp-block-kadence-spacer.kt-block-spacer-46_a28dae-ed .kt-block-spacer{height:60px;}.wp-block-kadence-spacer.kt-block-spacer-46_a28dae-ed .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-46_a28dae-ed\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><\/div><\/div>\n\n\n<style>.kadence-column46_3d4449-dc > .kt-inside-inner-col,.kadence-column46_3d4449-dc > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column46_3d4449-dc > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column46_3d4449-dc > .kt-inside-inner-col{flex-direction:column;}.kadence-column46_3d4449-dc > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column46_3d4449-dc > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column46_3d4449-dc{position:relative;}@media all and (max-width: 1024px){.kadence-column46_3d4449-dc > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column46_3d4449-dc > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column46_3d4449-dc\"><div class=\"kt-inside-inner-col\">\n<p style=\"font-size:18px\"><strong>EXPOSITIONS, INSTALLATIONS ET \u00c9V\u00c8NEMENTS PERFORMATIFS :<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"line-height:1.2\"><br><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"line-height:1.2\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"line-height:1.2\"><br><br><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"line-height:1.2\">2026 \u2022 Galerie Zemma. Marseille.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Paradigme <strong>d&rsquo;Albert Ayme<\/strong><\/strong> <strong>version num\u00e9rique<\/strong>.<br><br>2025 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. C\u00e9sure, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>O&rsquo;k<\/strong>. (animation interactive, par B_Long).<br><br>2025 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Diagrams<\/strong>. (Expo de groupe).<br><br>2025 \u2022 Salon <a href=\"https:\/\/galeriewagner.com\/paralleles-12-octobre-18-novembre-2003\/\" target=\"_blank\" rel=\"noreferrer noopener\">Drawing Now<\/a>. Carreau du Temple, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<a href=\"https:\/\/drawingnowartfair24.fo.klipso.events\/recherche-galerie\/details-galerie,galerie-wagner.htm?zoom=535e09e2-26a7-ef11-a8d4-005056ac07b9\" data-type=\"link\" data-id=\"https:\/\/drawingnowartfair24.fo.klipso.events\/recherche-galerie\/details-galerie,galerie-wagner.htm?zoom=535e09e2-26a7-ef11-a8d4-005056ac07b9\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Stand<\/strong> de la galerie Wagner.<\/a><br><br>2024 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Espace Commines, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>O&rsquo;Kiff<\/strong>. (animation g\u00e9n\u00e9rative, par B_Long).<br><br>2024 \u2022 Exposition <a href=\"https:\/\/galeriewagner.com\/carrement-noir-et-blanc\/\">Carr\u00e9ment noir et blanc.<\/a> Galerie Wagner, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Three weightless squares<\/strong>. (\u0153uvre g\u00e9n\u00e9rative).<br><br>2024 \u2022 Exposition <a href=\"https:\/\/galeriewagner.com\/paralleles-12-octobre-18-novembre-2003\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jeux optiques<\/a>. Galerie Wagner, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Rings_24<\/strong>. (\u0153uvre g\u00e9n\u00e9rative)<br><br>2024 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Les Abysses et La Laisse de mer<\/strong>. (Expo de groupe).<br><br>2024 \u2022 Exposition <a href=\"https:\/\/galeriewagner.com\/paralleles-12-octobre-18-novembre-2003\/\" target=\"_blank\" rel=\"noreferrer noopener\">G\u00e9n\u00e9ration intuitive<\/a>. Maison Poincar\u00e9, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Squares in motion<\/strong>. (\u0153uvre g\u00e9n\u00e9rative).<br><br>2024 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>REAL SPACE<\/strong>. (Expo de groupe).<br><br>2023 \u2022 Exposition <a href=\"https:\/\/galeriewagner.com\/paralleles-12-octobre-18-novembre-2003\/\" target=\"_blank\" rel=\"noreferrer noopener\">En parall\u00e8le<\/a>. Galerie Wagner, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Drawing Endless<\/strong>. (dessin g\u00e9n\u00e9ratif).<br><br>2023 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Espace Commines, Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Raus<\/strong>. (animation g\u00e9n\u00e9rative, par B_Long).<br><br>2023 \u2022 Kioto, Japon.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>12 circular gradients<\/strong>. (impression papier 60&#215;40 cm).<br><br>2023 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>EXO_01<\/strong>. (Expo de groupe).<br><br>2022 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Espace Commines, Paris..<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Skip back<\/strong>. (animation g\u00e9n\u00e9rative, par B_Long).<br><br>2022 \u2022 Festival Embarque. Juvisy-sur-Orge.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Du fleuve, je te regarde<\/strong>. (performance et installation).<br><br>2022 \u2022 Videoformes. Clermont-Ferrand.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Vid\u00e9o_Age 2022<\/strong>. (vid\u00e9os proc\u00e9durales).<br><br>2022 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Gradients<\/strong>. (amimation algorithmique).<br><br>2021 \u2022 Espace Commines. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Double Face<\/strong>. (prints &amp; amimation algorithmique pour deux \u00e9crans).<br><br>2021 \u2022 Shenyang. Chine.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Sloots<\/strong>. (animation num\u00e9rique).<br><br>2021 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>By-twice<\/strong>. (amimation algorithmique pour deux \u00e9crans).<br><br>2020 \u2022 Festival Embarque. Juvisy-sur-Orge.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Imag&rsquo;ison #1<\/strong>. Concert Electro impro vid\u00e9o.<br><br>2019 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Face Pil<\/strong>. (amimation sur \u00e9cran).<br><br>2019 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Parc Floral de Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Armada<\/strong>. (tirage photo num\u00e9rique).<br><br>2019 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Sloots moved<\/strong>. (animation num\u00e9rique)<br><br>2018 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Paradigme num\u00e9rique<\/strong>. (pr\u00e9sentation sur \u00e9cran).<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Mpegx<\/strong>. (composition infographique, tirage fine art).<br><br>2018 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Parc Floral de Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>4&#215;4<\/strong>. (tirage photo num\u00e9rique).<br><br>2018 \u2022 Galerie Victor Sfez. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Paradigme num\u00e9rique<\/strong>. (pr\u00e9sentation sur \u00e9cran) .<br><br>2017 \u2022 Galerie Abstract Project. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Links<\/strong>. (pr\u00e9sentation sur \u00e9cran).<br><br>2017 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Parc Floral de Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Malice digitale<\/strong>. (tirage photo num\u00e9rique).<br><br>2014 \u2022 Festival Vid\u00e9oforme. Clermont-Ferrand.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Cage suite lI<\/strong>. (pr\u00e9sentation performative).<br><br>2013 \u2022 Festival Vid\u00e9oforme. Clermont-Ferrand.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Cage suite I<\/strong>. (pr\u00e9sentation performative).<br><br>2002 \u2022 Galerie ADAC. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>365 jours avant l&rsquo;an 2000<\/strong>. (photos num\u00e9riques, tirages imprimantes).<br><br>1998 \u2022 FAUST. Toulouse.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Black &amp; Light<\/strong>, Installation infographique. (cr\u00e9ation)<br><br>1997 \u2022 Festival Images et sons. Coutances.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Pixies-Folies<\/strong>, Installation infographique interactive. (cr\u00e9ation)<br><br>1995 \u2022 Galerie ADAC. Paris.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Infographies<\/strong>. (tirages couleurs, tirages imprimante et installation)<br><br>1992 \u2022 2\u00e8me RENCONTRES D&rsquo;ART INFOGRAPHIQUE. Palais de Tokyo.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>SanfinS<\/strong>, composition infographique temps r\u00e9el. (cr\u00e9ation)<br><br>1990 \u2022 VIDEO ART PLASTIQUE. Herouville Saint-Clair.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>NewsBauhaus<\/strong>, installation infographique temps r\u00e9el. (cr\u00e9ation)<br><br>1990 \u2022 ARTIFICE. Saint Denis.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>G\u00e9n\u00e9ration al\u00e9atoire<\/strong>, Assemblage infini de formes \u00e9l\u00e9mentaires avec le plasticien Jean-Fran\u00e7ois Lacalmontie.<br><br>1989 \u2022 VIDEO ART PLASTIQUE. H\u00e9rouville-Saint-Clair.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>La baignoire<\/strong>, installation vid\u00e9o. (cr\u00e9ation)<br><br>1988 \u2022 FESTIVAL DES ARTS \u00c9LECTRONIQUES. Rennes<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Polygraphie<\/strong>, cr\u00e9ation infographique pour 25 \u00e9crans. (cr\u00e9ation)<br><br>1988 \u2022 VIDEO ART PLASTIQUE. H\u00e9rouville-Saint-Clair.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Vid\u00e9o closed<\/strong>, installation vid\u00e9o.(cr\u00e9ation)<br><br>1987 \u2022 CENTRE DE LA VIEILLE CHARIT\u00c9. Marseille.<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>30 secondes pour r\u00eaver<\/strong>, installation des cartes postales vid\u00e9o<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&#8211; Exposition reprise \u00e0 Toulon et Nice (1987), Martigue (1987) et Berlin (1989).<br><br>1983 \u2022 ELECTRA- Mus\u00e9e d&rsquo;Art Moderne de la Ville de Paris<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Empty holes<\/strong>, images danse de Mark Tompkins. 25 \u00e9crans vid\u00e9o, 5 sources. (cr\u00e9ation)<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Present Tense Nerds<\/strong>, performance vid\u00e9o et dance live avec Andy Degroat.<br><br>1982 \u2022 VIDEOCEANNES, Brest<br>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Escal<\/strong>, mur d&rsquo;image. (cr\u00e9ation).<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>EXPOSITIONS, INSTALLATIONS ET \u00c9V\u00c8NEMENTS PERFORMATIFS : 2026 \u2022 Galerie Zemma. Marseille.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Paradigme d&rsquo;Albert Ayme version num\u00e9rique. 2025 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. C\u00e9sure, Paris.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0O&rsquo;k. (animation interactive, par B_Long). 2025 \u2022 Galerie Abstract Project. Paris.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Diagrams. (Expo de groupe). 2025 \u2022 Salon Drawing Now. Carreau du Temple, Paris.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Stand de la galerie Wagner. 2024 \u2022 Salon R\u00e9alit\u00e9s Nouvelles. Espace Commines,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"hide","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":33,"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":1099,"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/pages\/46\/revisions\/1099"}],"wp:attachment":[{"href":"https:\/\/alainlonguet.com\/index.php\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}